Starts at 0:44
Monday, April 25, 2011
Donna Scott talks about kissing Rob's "luscious lips", his fame and more
Was Rob nervous for your kissing scene?Just a little bit. It’s really funny, because Rob is so...Rob. And even though he’s a huge heartthrob movie star, he’s so genuine. I figured since he was a megastar that he’d be like, 'Yeah, ok,' and I saw that because I’m older and lived a lot more life, I was comfortable being way more forward than he was. So, I definitely was aware that it was genuine, and that when I would move in to kiss him, he’d be like 'Whoa!' He was genuinely shy and it was all fantastic. How we prepared was just stepping into it and doing it. [He played] naïve and deflowered!
How does Rob rate as a leading man and kisser?
Rob, on a scale of one to ten, is a ten. He’s got luscious lips, and he’s so sweet, and he’s a tender person.
Reese told a story about Rob running scared from the zebras on set. Is that true?
After Reese had injured her ankle and when Rosie ran off, we were shooting this scene where it was just Reese, myself, Christoph, and Rob, and there were three zebras staked right near us. They’re very high strung, and they were going crazy and pulling up the stakes. Rob went running away and Reese grabbed Christoph and put him in front of her as a human body shield, and she was like; 'Oh my god, I don’t know what I just did!' And I was behind one of the support poles, and it happened so fast, it was really funny. But Rob was running away because he was supposed to be leaving to do something in the scene, so I think he didn’t want to break character. He felt so bad. He was like, 'Everyone is going to think I ran away because I was scared!'
Rob actually has to cross-dress for a particularly funny scene in the movie. How did he handle that?
I think he was genuinely really shy about coming out of that trunk. It was pretty funny for him to come crawling out with all of us eating our breakfast. And no one had seen him in his outfit, because his double was in there the whole time they were setting up. So when he came out of the trunk all the response to him was genuine. I think his response was genuine, too. He was really embarrassed!
Was there a lot of fandemonium near the set for Rob?
Every day. It was insane to me, because where we were shooting was so remote. We were an hour and a half outside of LA in these huge orange groves, and we’d be shooting nights, and when I’d leave work 4:00, 5:00, 6:00 in the morning there would be unbelievable amount of women in a ditch across the shooting area waiting for Rob. They didn’t leave. I was blown away. I’ve never seen that level commitment from fans until I saw all that.
How does he deal with that remarkable level of attention?
It’s remarkable how he deals with it. He deals with it immensely well, and I also think he can’t believe what’s going on. I think he stays really grounded, and I think he views it from a point of view of, 'Is this really happening in my life?' And all of the craziness around him and Kristen, I think they navigate it immensely well in how he handles situations. He’s so close to his family and they’re so grounded, his mom and his dad and his sisters, so I think that helps him. And the maturity. He's very well educated and very well read, but it’s lovely that he can be that mature.
Rotten Tomatoes names 'Water For Elephants' the Highest Opening Weekend for a Drama in 2011
Reese Witherspoon and Robert Pattinson drew a solid crowd for their romantic drama Water for Elephants which premiered in third place with an estimated $17.5M. Based on the best-selling novel, the PG-13 film averaged $6,212 from 2,817 locations and played heavily to female audiences, lovers of the book, and Twilight fans that follow Pattinson religiously. Critics had mixed feelings but the built-in audiences came out anyway giving Fox the best opening for an adult drama this year so far. Mature-skewing thrillers and comedies have done exceptionally well this year, but regular dramas have seen more modest numbers on the first weekend. An A- CinemaScore suggests a good run ahead as counter-programming to a steady diet of testosterone flicks about to attack multiplexes.
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